Ghiberti Doors

(This event lead to the creation) of Mulleian's 1970 prophetic painting entitled Forsaken Paradise, foretelling of a world to come that clearly emphasizes an ecological calamity. This six by four foot painting was Mulleian's first of it's kind, and it consequently opened the doors to many of the artist's other greatest works which followed through decades to come. Paintings such as The Calendar 2047, a 1971 piece, also like his painting Forsaken Paradise, depicts a planet in peril. His notable work Dies Irae and Prevailing Dawn both foretell nuclear catastrophe. Stone Effigy gives a glimpse into the future through a space/time continuum as both moments blend within a temporal paradigm, also warning us of were we are heading. And The Crypt, depicting a critical convergence, unfolding ancient, transformative information yet to be discovered beneath the sands of Egypt will mark the beginning of a New Age. Many of Mulleian’s most profound paintings seem to convey prophetic messages as warnings, as well as inform us of the transformative powers within ourselves.

This is elaborated upon in Paul Deegan’s "Analysis and Review of an Artist's Work", a comprehensive, greatly detailed examination of the layered nuances in Mulleian’s images. “Analysis and Review” is a study into the mystical dynamics of Mulleian’s paintings, and uncovers hidden metaphysical meanings through the artist’s use of symbolism. The essence of his work indicates that man has the option to change his destiny.